Thursday, November 04, 2021

Origins of our American culture

American culture in this early period [the 17th and early 18th Centuries] becomes most fully comprehensible when seen as the exotic far western periphery, a marchland, of the metropolitan European culture system.

This whole world ... was a borderland, a part of the expanding periphery of Britain's core culture; and its inner quality derived from that fact. Like the Welsh borderland two hundred years earlier, like the Scottish middle marches a century earlier, like Ireland and the Caribbean islands in the colonists' own time, and like Australia later, the mainland North American colonies formed a typically disordered border country in which ... "violence [was] a way of life." Concentrating, as American historians have done, on the origins of a later American civilization, and hence viewing the colonial world as a frontier -- that is, as an advance, as a forward and outward-looking, future-anticipating progress toward what we know eventuated, instead of as a periphery, a ragged outer margin of a central world, a regressive, backward-looking diminishment of metropolitan accomplishment --looking at the colonies in this anachronistic way, one tends to minimize the primitiveness and violence, the bizarre, quite literally outlandish quality of life in this far-distant outback of late seventeenth-century Britain.

Partly this wildness, extravagance, and disorder were simply the products of the inescapable difficulties of maintaining a high European civilization in an undeveloped environment. Partly, too, they were products of the hostility that developed between the Europeans and the native peoples. But in large part, too, they were products of the common European, and indeed British, conception of America as an uncivil place on the distant margins of civilization -- a place where the ordinary restraints of civility could be abandoned in pell-mell exploitation, a remote place where recognized enemies and pariahs of society -- heretics, criminals, paupers--could safely be deposited, their contamination sealed off by three thousand miles of ocean, and where putatively inferior specimens of humanity, blacks and Indians, could be reduced to subhuman statuses, worked like animals, and denied the most elemental benefits of law and religion, those fragile integuments which even in England could barely contain the savagery of life.... This mingling of primitivism and civilization, however transitory stage by stage, was an essential part of early American culture, and we must struggle to comprehend it.

What did it mean to Jefferson, slave owner and philosophe, that he grew up in this far western borderland world of Britain, looking out from Queen Anne rooms of spare elegance onto a wild, uncultivated land? We can only grope to understand.

Bernard Bailyn, The Peopling of British North America

Saturday, October 30, 2021

Monday, October 04, 2021

Sunday, September 19, 2021

To the Etruscan all was alive; the whole universe lived; and the business of man was himself to live amid it all. He had to draw life into himself, out of the wandering huge vitalities of the world. The cosmos was alive, like a vast creature. The whole thing breathed and stirred…. The whole thing was alive, and had a great soul, or anima: and in spite of one great soul, there were myriad roving, lesser souls: every man, every creature and tree and lake and mountain and stream, was animate, had its own peculiar consciousness. And has it today…. The cosmos was one, and its anima was one; but it was made up of creatures….

The old idea of the vitality of the universe was evolved long before history begins, and elaborated into a vast religion before we get a glimpse of it. When history does begin, in China or India, Egypt, Babylonia, even in the Pacific and in aboriginal America, we see evidence of one underlying religious idea: the conception of the vitality of the cosmos, the myriad vitalities in wild confusion, which still is held in some sort of array: and man, amid all the glowing welter, adventuring, struggling, striving for one thing, life, vitality, more vitality: to get into himself more and more of the gleaming vitality of the cosmos…. This was the idea at the back of all the great old civilizations. It was even, half-transmuted, at the back of [King] David's mind, and voiced in the Psalms. But with David the living cosmos became merely a personal god. With the Egyptians and Babylonians and Etruscans, strictly there were no personal gods. There were only idols or symbols. It was the living cosmos itself, dazzlingly and gaspingly complex, which was divine, and which could be contemplated only by the strongest soul, and only at moments. 

D. H. Lawrence, Etruscan Places
 

Tuesday, September 14, 2021

Why has mankind had such a craving to be imposed upon? Why this lust after imposing creeds, imposing deeds, imposing buildings, imposing language, imposing works of art? The thing becomes an imposition and a weariness at last. Give us things that are alive and flexible, which won't last too long and become an obstruction and a weariness….. It is all a question of sensitiveness. Brute force and overbearing may make a terrific effect. But in the end, that which lives lives by delicate sensitiveness. If it were a question of brute force, not a single human baby would survive for a fortnight. It is the grass of the field, most frail of all things, that supports all life all the time. But for the green grass, no empire would rise, no man would eat bread: for grain is grass…. Brute force crushes many plants. Yet the plants rise again. The Pyramids will not last a moment compared with the daisy. And before Buddha or Jesus spoke the nightingale sang, and long after the words of Jesus and Buddha are gone into oblivion the nightingale still will sing. Because it is neither preaching nor teaching nor commanding nor urging. It is just singing. And in the beginning was not a Word, but a chirrup. 

D. H. Lawrence, Etruscan Places

Monday, September 13, 2021

In current Catholic dogma, [purgatory] is a state of being rather than an actual realm between Hell and Heaven: an inner fire in the conscience of sinners that refines their impurities.

Judith Thurman, Reading Dante’s Purgatory While the World Hangs in the Balance, The New Yorker (September 13, 2021)

Wednesday, September 08, 2021

Boy, you got me confused with a man who repeats himself.

Omar Little (Michael K. Williams), The Wire

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